Jenny Reddin Artist

Newton’s interest in alchemy was crucial to the development of his law of gravitation.
 

Julie Johnson, ‘From alchemy to gravity’, New Scientist, Magazine issue 1837

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Using gravity as her paint brush, Reddin produces large abstract artworks that suggest both geological forms and the intricate structures of nature. As engaging up close as they are when viewed from a distance, they ask viewers to reflect on the fragility of life and the fine balance required to preserve an irreplaceable natural world.